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Sony FE 24mm F2.8 G
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€499.70
€526.00-5%
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The Sony FE 24mm F2.8 G is a compact full-frame wide-angle prime for photographers who want to travel light, place people in their surroundings and keep a Sony E kit for stills or video. Its 24mm view suits street scenes, landscapes, architecture and travel stories, while a weight of about 162 g makes it easy to leave on the camera all day. F2.8 is useful as light fades, and the two linear motors support responsive autofocus. An aperture ring, customisable focus-hold button and internal focusing make it a considered choice for handheld work and gimbal use. It is less suited to demanding night work or pronounced background separation; the Sony FE 24mm F1.4 GM is the more appropriate alternative there. On APS-C, it delivers an approximately 36mm-equivalent view, better for everyday documentary framing than an ultra-wide look.
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Sony FE 24mm F2.8 G: a compact wide-angle lens for travel
A 24mm prime is not designed to cover every framing. It asks the photographer to choose a viewpoint, move closer and let the setting take part in the picture. The Sony FE 24mm F2.8 G suits that approach when a small Sony E full-frame setup matters. At roughly 68 x 45 mm and 162 g, it stays unobtrusive for travel, walking around a city or balancing on a gimbal. F2.8 gives useful latitude in ordinary low light, while the lens controls keep key adjustments close at hand. The trade-off is simple and worth stating: this is neither a zoom nor an F1.4 lens. Its appeal is a deliberate 24mm perspective in a genuinely compact form.
Sony FE 24mm F2.8 G key strengths
- Compact full-frame 24mm: a wide view in a lens weighing about 162 g.
- F2.8 aperture: useful latitude when the available light starts to fall.
- Two linear motors: autofocus suited to travel, street scenes and video.
- Internal focusing: the barrel does not extend and the front element does not rotate.
- 49mm filter thread: straightforward use of polarising and ND filters.
- Aperture ring: direct exposure control for stills and video work.
- De-click switch: a quieter aperture-ring option when recording video.
- Close manual focus: focus down to 18 cm to build a stronger foreground.
- Aluminium exterior: a light lens and hood with purposeful construction.
- APS-C option: an approximately 36mm-equivalent view for everyday documentary work.
A 24mm view that keeps the setting in the story
A full-frame 24mm is useful when the subject should not be separated from its surroundings. On a street, it can show a person and the pace of the place; in landscape or architecture, it gives room for lines and foreground. It also rewards movement: this prime does not offer the framing flexibility of a zoom.
On a Sony APS-C body, the angle of view becomes approximately equivalent to 36mm on full frame. That is less wide and more naturally suited to everyday, documentary and travel work. It is a meaningful change to consider before selecting this lens specifically for its broad 24mm framing.
Specifications that affect the photograph
| Characteristic | Practical benefit | Point to anticipate |
|---|---|---|
| 24mm full frame | Include setting, lines and foreground | A fixed view requires the photographer to move |
| 162 g, 68 x 45 mm | A discreet setup for travel or gimbal work | Compact size does not provide zoom flexibility |
| F2.8 | Useful latitude as light falls | Not as bright as a 24mm F1.4 |
| Internal focusing | 49mm filters keep the same orientation | No built-in optical stabilisation |
| 0.18 m and 0.19x in MF | Bring a foreground detail closer | It is not a macro solution |
Small in the bag, purposeful in use
At approximately 68 x 45 mm and 162 g, the Sony FE 24mm F2.8 G supports a small full-frame setup. Two linear motors drive autofocus, while internal focusing keeps the lens length stable and the front element still. That matters with screw-in filters and when the camera sits on a gimbal.
The aperture ring, its click on/off switch, AF/MF selector and customisable focus-hold button put key controls on the lens. In manual focus, Linear Response MF is designed to give the focus ring a predictable response. Its seven-blade circular diaphragm, three aspherical elements and one ED element are part of the optical construction, without implying more than the verified specification.
How a 24mm changes each use
| Photographic use | What 24mm changes | Recommended approach |
|---|---|---|
| Travel | It tells the story of the place around the subject | Keep it mounted for a light walking kit |
| Street and environmental work | It adds context to the scene | Move closer instead of cropping from afar |
| Landscape | It gives foreground and lines more presence | Compose frame edges with care |
| Architecture and interiors | It covers more of the space | Check vertical lines before shooting |
| Video and gimbal | Low weight keeps the rig compact | Use the de-clicked aperture ring when appropriate |
Useful close focus, clear compromises
Minimum focus is 0.24 m in autofocus and 0.18 m in manual focus, with 0.13x and 0.19x maximum magnification respectively. Manual focus is therefore more useful for bringing a foreground detail close to the lens, but this is not a macro lens. The 49mm thread also makes ND or polarising filters practical when the scene calls for them.
There is no optical image stabilisation in the lens, so this needs consideration on an unstabilised body, especially in low light or when shooting handheld. The design is resistant to dust and moisture, though protection is not guaranteed in every circumstance. Choose the Sony FE 24mm F1.4 GM for more light and stronger separation, or the Sony FE 24-50mm F2.8 G when changing framing matters more. Among compact full-frame Sony lenses, the Sony FE 50mm F2.5 G is the better fit when you want a tighter view.
Nearby choices in Sony E mount
| Product | Framing / aperture | Best fit | Main trade-off |
|---|---|---|---|
| Sony FE 24mm F2.8 G | 24mm prime, F2.8 | Compact travel, street, landscape and gimbal work | No zoom or optical stabilisation |
| Sony FE 24mm F1.4 GM | 24mm prime, F1.4 | Low light, astrophotography and stronger separation | A different compactness priority |
| Sony FE 24-50mm F2.8 G | 24-50mm zoom, F2.8 | Photographers who change framing often | Less of a fixed-prime discipline |
| Sony FE 40mm F2.5 G | 40mm prime, F2.5 | A compact normal perspective | A less expansive field of view |
Our view on choosing this 24mm
The Sony FE 24mm F2.8 G makes sense for photographers who value a light full-frame kit and a view that includes the environment. It is a natural match for travel, street work, landscape, architecture, handheld video and gimbal use, with controls that remain close to the hand.
Compared with the Sony FE 24mm F1.4 GM, it clearly favours compactness over maximum aperture. Compared with the Sony FE 24-50mm F2.8 G, it asks you to commit to one focal length in return for a more direct setup. On APS-C, its 36mm-equivalent view can also be a strong everyday documentary angle.
The honest limitation is the lack of optical stabilisation and an F2.8 aperture not intended for the most demanding night work. When those trade-offs fit your way of shooting, this 24mm is a considered choice for a discreet, mobile Sony E kit.
- Lens mount
- Sony E
- Recommended use
- Landscape / architecture
Travel / versatile - Stabilization
- No
- Lens type
- Wide angle
- Focal length
- Wide angle
- Maximum aperture
- f/2.5 - f/2.8
- Aperture options
- f/1.8 to f/2.8
- Photo use
- Architecture
Interior
Landscape - Lens format
- Full frame
SONYFE24F28G
4548736130586
Technical specifications
General
Brand
Sony
Product type
Photo lens
Lens type
Wide-angle prime lens
Lens series
G
Aperture options
f/1.8 to f/2.8
Lens mount
Sony E-mount
Photo use
Travel; Street; Landscape; Architecture; Interior; Video; Gimbal; Documentary
Lens format
Full frame
Properties
Full frame
Yes
Image stabilization
No
Lens construction
8 elements in 7 groups
Magnification factor
0.13x (AF); 0.19x (MF)
Minimum focusing distance
24cm (AF); 18cm (MF)
Lens hood included
Yes
Focal length
Fixed focal length
Yes
Focal length
24mm
Aperture
Minimum aperture
f/22
Maximum aperture
f/2.8
Diaphragm blades
7 (circular aperture)
Physical properties
Weight
162g
Length
4.5cm
Diameter
68mm
Guides and advice: SONY LENSES
Questions fréquentes sur ce produit
Is the Sony FE 24mm F2.8 G a full-frame lens?
Yes. It is a 24mm lens designed for Sony E-mount full-frame cameras.
What does it become on APS-C?
On an APS-C camera, it gives an approximately 36mm full-frame-equivalent angle of view.
Does the Sony 24mm F2.8 G have stabilisation?
No. It has no optical image stabilisation; stabilisation depends on a compatible camera body.
What is its maximum aperture?
Its maximum aperture is F2.8 and its minimum aperture is F22.
What is the minimum focus distance?
It focuses down to 0.24 m in autofocus and 0.18 m in manual focus.
Can it be used for macro photography?
No. Its 0.19x maximum magnification in manual focus helps with close details but is not macro.
Which filters fit the lens?
It accepts 49mm screw-in filters, including polarising and ND filters.
Does the front element rotate while focusing?
No. The lens focuses internally, so the front element does not rotate.
Which controls are on the lens?
It has an aperture ring, click on/off switch, AF/MF switch and customisable focus-hold button.
Is it suitable for video on a gimbal?
Yes. Sony presents it for gimbal use, and its low weight supports a compact rig.
Is it weatherproof?
Its design is resistant to dust and moisture, but protection is not guaranteed in every circumstance.
When is the Sony FE 24mm F1.4 GM a better choice?
Choose the 24mm F1.4 GM for demanding low light, astrophotography and stronger subject separation.
When should I choose the Sony FE 24-50mm F2.8 G?
Choose the 24-50mm F2.8 G when flexible framing matters more than a compact fixed focal length.
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