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Canon EOS R1 + RF 24-105mm f/2.8 L IS USM Z
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€7,493.60
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The Canon EOS R1 with RF 24-105mm F2.8 L IS USM Z is a professional full-frame kit we recommend to photographers and filmmakers who need to cover a complete assignment without changing lenses repeatedly. The EOS R1 combines subject-recognition autofocus with electronic shooting at up to 40 fps, while the lens maintains an F2.8 aperture from 24 to 105mm for wide scenes, reportage and tighter portraits in changing light. Its internal zoom keeps the barrel length stable on a monopod, tripod or video rig. The camera with battery and card plus the lens weigh approximately 2.55kg before accessories, so support matters on a long day. This pairing makes most sense for weddings, events, documentary work and hybrid productions where reach, speed and low-light capability must stay together.
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Canon EOS R1 + RF 24-105mm F2.8 L Z: one kit for a complete assignment
This pairing brings the speed of the EOS R1 together with one of the most ambitious professional zooms in the RF system. It is aimed at the photographer who may need a wide view of a venue, a natural reportage frame and a tighter portrait within the same sequence, with no safe pause for a lens change.
Its appeal comes from combining a 24-105mm range, constant F2.8 aperture and internal zoom. At 24mm the image can establish the place; moments later, 85 or 105mm can isolate an expression. Maximum aperture does not change as the framing tightens.
Canon EOS R1 with RF 24-105mm F2.8 L Z key strengths
- Constant F2.8 across 24-105mm : It moves from a wide establishing shot to a tighter portrait without losing maximum aperture at the long end.
- Electronic shooting at up to 40 fps : It provides more frames to choose from during a short action, provided bursts are used selectively.
- Subject-recognition autofocus : The camera can follow people, animals and several vehicle types as distance and composition change.
- Fixed-length internal zoom : The lens does not extend while zooming, which keeps balance more predictable on support and video rigs.
- Optical and in-body stabilisation : They steady the view and reduce camera movement when the subject itself is relatively still.
- 45cm minimum focusing distance : It handles products, accessories and textures with up to 0.29x magnification at 105mm.
- Dual Nano USM focusing : Fast, quiet focusing suits productions that switch between stills and moving images.
- Internal RAW up to 6K 60p and 4K up to 120p : The body supports detailed footage, slow motion and hybrid workflows close to a stills production.
- Iris ring and optional Power Zoom : These controls make the lens more practical on a rig, tripod or crewed video production.
- Two CFexpress Type B slots : They support backup, overflow and file-separation strategies during demanding assignments.
How the EOS R1 changes the way this zoom can be used
The 24.2MP stacked full-frame sensor favours fast readout and manageable professional files. Electronic shooting reaches 40 fps and the autofocus system recognises several subject types. The lens then becomes a framing tool around a subject the body is already tracking.
Photographers who already own the lens can choose the Canon EOS R1 body instead. This page is specifically for the complete camera-and-lens configuration.
From 24 to 105mm: build the story without leaving your position
The wide end suits interiors, groups and establishing frames. Around 35 and 50mm, perspective feels natural for documentary work. Between 85 and 105mm, a face, interaction or detail can fill the frame without stepping into the scene.
That range is valuable at weddings, conferences and documentary shoots, but it does not replace a true telephoto for distant subjects. The Canon EOS R1 kit range also includes longer configurations for sport and wildlife.
| Feature | Practical benefit | Point to consider |
|---|---|---|
| 24.2MP stacked sensor | Fast readout and manageable files for sustained professional work. | Less crop latitude than a very high-resolution body. |
| Up to 40 fps | More moments to choose from during a brief action. | File volume grows quickly. |
| 24-105mm F2.8 | Wide scenes to tighter portraits without losing maximum aperture. | Heavier than a conventional standard zoom. |
| Internal zoom | More consistent length and balance on support. | The lens does not become shorter for transport. |
| Coordinated stabilisation | Steadier framing and less camera shake on static subjects. | It cannot freeze subject movement. |
Weddings and events: keep F2.8 all the way to 105mm
At the same shutter speed and ISO, F2.8 admits twice as much light as F4. During a ceremony, reception or stage performance, that can be the difference between maintaining a useful shutter speed and pushing sensitivity further.
The wider aperture also softens a busy background, especially from 70 to 105mm. Depth of field becomes shallower, however, so a group arranged across several planes may be better served by stopping down rather than using F2.8 by default.
Fast assignments: use 40 fps with a clear purpose
The highest burst rate is useful for entrances, gestures, awards and action at short to medium distance. As the subject approaches, autofocus maintains recognition and the lens lets the photographer adjust composition without stepping backwards.
Short bursts generally produce a cleaner workflow than holding the shutter continuously. Stabilisation reduces the photographer’s movement; it cannot freeze a moving subject, so the chosen shutter speed remains decisive.
Internal zoom: easier balance on a monopod, gimbal or rig
The RF 24-105mm F2.8 L IS USM Z is 199mm long and does not extend when zoomed. Its centre of gravity changes less than that of an extending lens, which simplifies support balance and repeated zoom moves during filming.
The trade-off is physical. The lens remains long in the bag and weighs about 1,430g. The EOS R1 with RF 24-105mm F4 L is the more sensible all-day choice when mobility matters more than F2.8.
| Focal length | Recommended use | What it contributes |
|---|---|---|
| 24mm | Venues, architecture, groups and opening shots. | Keeps the subject within its environment. |
| 35mm | Reportage, documentary and everyday scenes. | Natural perspective with useful context. |
| 50mm | Environmental portraits and general coverage. | Tighter framing without strong compression. |
| 85mm | Portraits, ceremonies and details. | Softer backgrounds while maintaining working distance. |
| 105mm | Expressions, stage details and more distant subjects. | A tighter frame without a lens change. |
Hybrid video controls that are more than a specification
The EOS R1 records internal RAW up to 6K 60p and offers 4K up to 120p, depending on mode. The lens adds an iris ring, internal zoom, focus-breathing suppression by design and support for the optional PZ-E2 or PZ-E2B Power Zoom adapters.
A crew can move from stills to an interview, cutaway or slow-motion sequence without changing the core setup. The two CFexpress Type B slots help organise backup and file separation, although sustained high-bitrate recording requires appropriately rated cards and storage.
Stabilisation and low light solve different problems
Canon rates the optical stabiliser at 5.5 stops and coordinated control with a compatible camera at up to 8 stops under its test conditions. This is useful for a steadier view, static details and hand-held video.
It does not replace F2.8 or a fast shutter speed. For a walking person, dancer or athlete, the aperture helps maintain the speed needed to control subject movement. The strength of the kit is the way aperture, autofocus and framing work together.
Close detail without carrying a separate lens for every shot
Minimum focusing distance is 45cm throughout the zoom range, with maximum magnification of 0.29x at 105mm. It is not a macro lens, but it can cover jewellery, food, decoration, textures and smaller products during an event or commercial assignment.
For specialised reproduction, a dedicated macro lens remains the better tool. The RF 24-105mm F2.8 L Z lens page covers the optic separately from this complete kit.
| Configuration | Priority | Main compromise |
|---|---|---|
| RF 24-105mm F2.8 L Z | Reach, F2.8, internal zoom and hybrid production. | About 2.55kg with the camera before accessories. |
| RF 24-105mm F4 L | Versatility and mobility over a long day. | One stop slower. |
| RF 24-70mm F2.8 L | F2.8 in a more compact package. | The range ends at 70mm. |
| EOS R1 body only | Reuse RF lenses already owned. | No lens is included. |
Working weight: the main decision before buying
The EOS R1 weighs approximately 1,115g with battery and card, while the lens adds about 1,430g. The combined working weight is therefore close to 2.55kg before hood, tripod mount and other accessories. A suitable strap, harness or monopod becomes valuable on a long assignment.
That mass accompanies the unusual combination of 24-105mm, F2.8 and internal zoom. It may be excessive for a photographer who stays mobile and hand-held all day, but much easier to justify for a hybrid operator already working with support.
24-70mm F2.8, 24-105mm F4 or this 24-105mm F2.8?
The EOS R1 with RF 24-70mm F2.8 L keeps F2.8 in a smaller package but stops at 70mm. The 24-105mm F4 is markedly lighter but one stop slower. This kit earns its place when both 105mm reach and F2.8 are genuinely required.
At MCZ DIRECT, we position it for weddings, events, reportage and hybrid crews that would rather carry one substantial zoom than change among several lenses while the assignment continues.
Who will get the most from this configuration?
It suits professionals whose day moves unpredictably through venue shots, portraits, speeches, action and video. It is less convincing for lightweight travel, ultra-high-resolution landscape work or wildlife at long distance.
The deciding question is practical: does 24-105mm replace several lens changes in your work, and does F2.8 deliver enough low-light or subject-separation benefit to justify the size? When the answer is yes, the kit covers an unusually broad part of a professional assignment.
Our verdict
At MCZ DIRECT, we see this as the most complete EOS R1 standard-zoom kit for wedding, event and reportage photographers who need F2.8 from a wide view to a tight portrait. Against the 24-70mm F2.8, we recommend it when 85 and 105mm genuinely prevent lens changes. Against the 24-105mm F4, it earns its extra weight when low-light work and subject separation are central.
Its limitation is clear: approximately 2.55kg before accessories and a lens that stays long in the bag. The F4 version is more rational for continuous hand-held movement. For photographers already using a monopod, rig or supportive carrying system, this kit offers a rare balance of speed, reach, aperture and stable handling.
Choose the Canon EOS R1 with RF 24-105mm F2.8 L IS USM Z when one bright zoom must cover everything from context to portrait in both stills and video.
- Photo resolution
- 24 to 32 MP
- Camera Format
- Full frame
- Lens mount
- Canon RF
- Recommended use
- All-round use
Landscape
Photo / video
Portrait
Reportage
Sport
Wildlife - Video
- 6K
- Stabilization
- With stabilisation
- Camera model
- Canon EOS R1
- Includes lens
- Yes
- Sensor size
- 36 x 24 mm
- Number of megapixels
- 20 to 30 MP
- Highest native ISO
- 51,200 to 102,400
- Level
- Professional
CANEOSR1RF24105F28ZX1
9506264691141
Canon EOS R1 + RF 24-105mm f/2.8 L IS USM Z videos
Technical specifications
General
Brand
Canon
Product type
Mirrorless camera
Camera type
Interchangeable-lens digital camera
Product line
Canon EOS R
Product series
EOS R
Specific model
EOS R1
Release date
2024-11
Available languages
Multilingual, including English
Camera
Level
Professional sport/action
Processor
DIGIC Accelerator and DIGIC X
Image ratio
3:2
Image stabilization
Yes
Autofocus
Yes
Lens mount
Canon RF / RF-S
RAW
Yes
File formats
Still image: JPEG, HEIF, RAW, C-RAW. Compression options and profiles according to Canon specifications.
Max burst speed
40 fps
Lens included
Yes
Kit configuration
Canon EOS R1 kit with RF 24-105mm F2.8L IS USM Z.
Included lens count
1
Included lens 1
RF 24-105mm F2.8L IS USM Z
Lens 1 model
RF 24-105mm F2.8L IS USM Z
Lens 1 mount
Canon RF
Lens 1 format
Full Frame
Lens 1 focal length
24-105 mm
Lens 1 max aperture
f/2.8
Lens 1 stabilization
Yes
Uses
All-round use
Yes
Architecture
Yes
Landscape
Yes
Portrait
Yes
Travel
No
Reportage
Yes
Sports
Yes
Wildlife
No
Photo / video
Yes
Vlogging
No
Sensor
Sensor type
36 x 24 mm Full Frame back-illuminated stacked CMOS sensor
Sensor size
36 x 24 mm
Crop factor
1.0x
Autofocus points
1053
Resolution
24.2 MP
Maximum resolution
6000 x 4000
Sensor cleaning
Yes
Standard ISO range
ISO 100-102400
Maximum native ISO
ISO 102400
Exposure
Metering modes
Real-time metering with image sensor, 6144-zone metering: evaluative, partial, spot and centre-weighted average.
Metering zones
6144
Fastest shutter speed
1/64000 s
Slowest shutter speed
30 s, Bulb
Bulb mode
Yes
AEB bracketing
Yes
Manual exposure
Yes
Self-timer
No
White balance settings
Auto white balance, daylight, shade, cloudy, tungsten, white fluorescent, flash, custom and colour temperature setting.
Aperture priority
Yes
Shutter priority
Yes
Display
Display type
Vari-angle touchscreen LCD monitor, 3.2-inch, approx. 2.1 million dots
Display size
3.2
Display resolution
2100000
Touchscreen
Yes
Live View
Yes
Viewfinder
Viewfinder
Yes
Viewfinder type
OLED electronic viewfinder, 9.44 million dots
Viewfinder coverage
100%
Flash
Built-in flash
No
Red-eye reduction
No
Flash sync speed
1/4 s / 1/200 s / 1/320 s / 1/400 s / 1/250 s / 1/500 s
Flash modes
Canon-compatible external Speedlite flash; control via multi-function shoe depending on the model.
Flash technology
Canon Speedlite
Accessory shoe
Yes
Video
Video function
Yes
Full HD
Yes
4K UHD
Yes
6K video
Yes
7K video
No
8K video
No
Internal RAW recording
Yes
Clean HDMI output
Yes
Maximum video resolution
6K
Video frame rates
Video up to 6K depending on mode and card used.
Video compression
Compression and sampling depend on Canon EOS Movie modes.
Video file formats
Still image: RAW. Compression options and profiles according to Canon specifications.
Audio
Built-in microphone
Built-in microphone
Storage
Internal memory
No
Dual card slot
Yes
Memory types
Two CFexpress Type B card slots
Card types
CFexpress Type B
SD speed classes
Use a card that matches the selected photo/video mode.
Connectivity
HDMI
Yes
HDMI type
HDMI output according to Canon specifications.
Microphone input
Yes
Microphone input type
External microphone input depending on Canon configuration.
Headphone output
Yes
USB
Yes
USB type
USB-C according to Canon specifications.
Ethernet
Yes
Wireless
Wi-Fi
Yes
Bluetooth
Yes
NFC
No
GPS
Yes
Physical properties
Depth
8.73 cm
Width
15.76 cm
Height
14.95 cm
Body material
Magnesium-alloy body/chassis with glass-fibre reinforced polycarbonate components.
Colour
Black
Waterproof
No
Splash resistant
Yes
Shockproof
No
Dust resistant
Yes
AF assist light
No
Tally light
No
Minimum operating temperature
0 °C
Maximum operating temperature
45 °C
Battery
Battery
Canon LP-E19 rechargeable Li-ion battery
USB charging
Yes
USB power delivery
Yes
Charger included
Yes
Buying guidance
Best for
Reportage, weddings, events, documentary work, environmental portraits and hybrid photo-video production.
Less suited to
Less suited to lightweight travel, very high-resolution landscape work or distant wildlife; the camera with battery and card plus the lens weigh about 2.55kg before accessories.
Compatibility
Compatible with Canon RF/RF-S lenses; this kit includes RF 24-105mm F2.8L IS USM Z. RF-S lenses remain usable with APS-C crop depending on the body. EF/EF-S lenses require a compatible Canon EF-EOS R adapter.
Note
The RF 24-105mm F2.8 L IS USM Z uses the Canon RF mount and is not compatible with Canon RF extenders.
Included lens
Lens type
hybrid zoom lens
Lens series
Canon RF
Focal range
24-105 mm
Optical construction
23 elements in 18 groups
Optical stabilisation
Yes
AF drive
Dual Nano USM autofocus
Minimum focusing distance
45 cm
Maximum magnification
0.29x at 105mm
Maximum aperture
f/2.8
Minimum aperture
f/22
Diaphragm blades
11
Optical zoom
4.38x
Lens weight
1430 g
Filter diameter
82 mm
Lens length
19.9 cm
Lens diameter
88.5 mm
Dust/splash resistance
Yes
Questions fréquentes sur ce produit
Who is the Canon EOS R1 with RF 24-105mm F2.8 L Z for?
It is designed mainly for professional wedding, event, reportage, documentary and hybrid photo-video work.
Why pair the RF 24-105mm F2.8 L Z with the Canon EOS R1?
The EOS R1 supplies speed and subject tracking, while the lens covers wide scenes to tight portraits at constant F2.8 with internal zoom.
Does the Canon EOS R1 record 8K video?
No. Key modes include internal RAW up to 6K 60p and 4K up to 120p, depending on settings.
Is F2.8 available at 105mm?
Yes. The maximum F2.8 aperture is maintained throughout the 24-105mm zoom range.
Does the RF 24-105mm F2.8 extend while zooming?
No. Its internal-zoom design keeps the lens barrel at a fixed length.
Is this kit suitable for weddings?
Yes, particularly when one lens must cover venues, reportage, portraits and details in changing light.
Is this kit suitable for sport?
It suits close and medium-distance action. A 70-200mm or longer telephoto is more appropriate for distant subjects.
How close can the RF 24-105mm F2.8 focus?
Minimum focusing distance is 45cm throughout the range, with up to 0.29x magnification at 105mm.
How much does the Canon EOS R1 with RF 24-105mm F2.8 weigh?
The camera with battery and card plus the lens weigh about 2.55kg before the hood, tripod mount and other accessories.
Should I choose the RF 24-105mm F2.8 or F4 with the EOS R1?
Choose F2.8 for low light, background separation and supported hybrid work; choose F4 for mobility and all-day comfort.
Can the RF 24-105mm F2.8 use Canon RF extenders?
No. Canon does not list the RF 1.4x or RF 2x extenders as compatible with this lens.
Which memory cards does the Canon EOS R1 use?
The EOS R1 has two CFexpress Type B card slots, selected according to burst and video requirements.
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