Shopping Cart
Canon EOS R1 + RF 24-70mm f/2.8 L IS USM
IN STOCK
€6,802.00
€7,160.00-5%
- 100% newBrand-new and authentic product
- Final priceNo unpleasant surprises! The displayed price is the final amount paid for your purchase.
- Order before 2 pm: estimated delivery Thu 6 - Fri 7 AugEstimate based on available stock, order time, business days and carrier delivery times.
- 3-year MCZ DIRECT warranty
- Free delivery with insurance includedYour order is protected from dispatch to delivery: in case of loss, theft or damage during transport, your parcel is insured up to its value.
The Canon EOS R1 with RF 24-70mm F2.8 L IS USM is a professional full-frame kit recommended for documentary, wedding, event and sports photographers who need to move from a wide view to a tighter portrait without changing lenses. The EOS R1 can shoot at up to 40 fps and recognise people, animals and several types of vehicle, while the zoom covers the focal lengths most often used on assignment. Its constant F2.8 aperture helps maintain shutter speed as the light falls, and optical stabilisation reduces blur caused by camera movement. This is a strong choice when responsiveness and practical versatility matter more than low weight, very long reach or extremely high resolution. It suits professionals who value consistent handling across unpredictable assignments.
Compatible pack
Complete your set
Combine compatible accessories and save. The more items you add, the bigger the discount.
1 5.00%2 8.00%3 10.00%4+ 12.00%
Compatible
Accessory
SanDisk 64GB Extreme PRO CFexpress Type B Memory Card
€125.00€118.75
Compatible
Accessory
Canon LP-E19 Battery (2700mAh)
€189.00€179.55
Compatible
Accessory
Canon Mount Adapter EF-EOS R – EF-EOS R Mount Adapter
€109.00€103.55
Compatible
warranty extension
2-year warranty extension
€544.16
0% offYou save-
No accessory selectedUse the standard buy box to buy the product alone.
€6,802.00
Canon EOS R1 with RF 24-70mm F2.8: one kit for a fast-moving assignment
This pairing combines an action-focused camera with a bright standard zoom that can cover much of a professional assignment. It suits photographers who need to react quickly, move between a complete scene and a tighter composition, and retain the same maximum aperture while zooming.
At a wedding or live event, 24mm establishes the location, 35mm keeps a natural documentary perspective, 50mm works well for a person in context and 70mm tightens a portrait. The value of the kit is that continuity: the subject may move and the working distance may change, but the lens can stay on the camera.
Canon EOS R1 with RF 24-70mm F2.8 L IS USM key strengths
- A genuinely useful 24-70mm range : Move from an establishing view to an environmental portrait without interrupting a wedding, interview or documentary sequence.
- Constant F2.8 aperture : Maximum brightness remains available throughout the zoom for faster shutter speeds and softer backgrounds.
- Up to 40 fps electronic shooting : More frames are available when an expression, sporting gesture or interaction lasts only a fraction of a second.
- Subject-recognition autofocus : The EOS R1 can identify people, animals and several vehicles, leaving the photographer more attention for timing and composition.
- Five-stop optical stabilisation : The lens reduces the effect of hand movement for a relatively static subject or a carefully held video shot.
- 24.2 MP stacked full-frame sensor : It prioritises fast readout and a manageable professional workflow over very large files.
- 6K 60p RAW and 4K up to 120p : The camera can cover demanding hybrid productions as well as high-quality slow motion.
- Fast and quiet Nano USM : Lens focusing is well suited to fast stills and controlled video transitions.
- Two CFexpress Type B slots : They support backup, file separation and overflow strategies during professional assignments.
- Built for regular professional use : The integrated-grip body and L-series zoom make a coherent working setup, provided its weight is planned for.
Why pair the EOS R1 with the RF 24-70mm F2.8 L IS USM?
The EOS R1 brings a 24.2 MP stacked full-frame sensor, electronic shooting at up to 40 fps and autofocus that can recognise several subject types. The RF 24-70mm F2.8 adds the classic documentary range, a constant bright aperture and five-stop optical stabilisation. The body deals with the moment; the lens lets the photographer decide how much context belongs in the frame.
If a comparable RF zoom is already in your bag, the Canon EOS R1 body is the more sensible purchase. This kit is aimed at photographers who want the 24-70mm to be their main working lens from the outset.
24mm, 35mm, 50mm and 70mm in practical use
At 24mm, a room, group or athlete can be shown with the surrounding environment. Around 35mm, the view remains open without feeling overtly wide. A 50mm composition is closer to a natural perspective, while 70mm isolates a face, gesture or product detail more effectively.
The range does not remove every need to change lenses, but it covers a high proportion of wedding, event and documentary images. It is less suitable when a commission depends mainly on ultra-wide architecture, distant wildlife or full-pitch sport.
| Feature | Practical benefit | Relevant situation |
|---|---|---|
| 24.2 MP stacked sensor | Balances fast readout, detail and manageable file sizes. | Documentary, press, events and hybrid production. |
| Up to 40 fps | Provides more positions within a very brief action. | Close sport, ceremonies, dance and unpredictable gestures. |
| 24-70mm zoom | Moves from a wide view to an environmental portrait without a lens change. | Weddings, documentary work, events and editorial assignments. |
| Constant F2.8 | Maintains brightness and background control throughout the range. | Interiors, stage work, portraits and low light. |
| Two CFexpress Type B slots | Support backup, file separation and overflow recording. | Long assignments with bursts and high-resolution video. |
Weddings and documentary work: keeping pace with the scene
A 24-70mm allows the photographer to stay close without constantly stopping to swap lenses. The wider end preserves the venue and people around the main subject; 50-70mm brings attention to an expression or a brief exchange. Because F2.8 remains available throughout the range, exposure does not suddenly lose a stop as the composition tightens.
Forty frames per second is not a setting to use indiscriminately. It becomes valuable for an entrance, a quick gesture or an unpredictable reaction. Pre-continuous shooting can also retain moments before the shutter is fully pressed, but both functions increase the editing and storage workload.
Sport and action: most useful when the subject is close
The EOS R1 is designed for moving subjects. Its autofocus can recognise people, selected animals and several vehicle types, while Action Priority adds assistance for specific phases of football, basketball and volleyball. With this lens, those features are most useful close to the touchline, around a finish area, backstage or during indoor action.
The range ends at 70mm, so it cannot cover an entire field or a distant subject in the same way as a telephoto zoom. The EOS R1 with RF 70-200mm F2.8 L IS USM is a better fit when reach is central to the assignment.
Low light: what F2.8 and stabilisation can actually do
A constant F2.8 aperture admits twice as much light as F4. In a church, reception venue or evening event, that can mean a faster shutter speed or a lower ISO setting. At 50mm and 70mm, it also gives more control over background separation.
The five-stop optical stabiliser compensates for the photographer’s movement, not the subject’s. It helps with a static interior, a posed portrait or a carefully held video clip. When a person is walking or dancing, shutter speed still has to be high enough to stop that movement.
| Configuration | Best suited to | Point to consider |
|---|---|---|
| EOS R1 + RF 24-70mm F2.8 L | Weddings, documentary work, events, environmental portraits and low light. | 70mm limit and a working weight of about 2.02kg. |
| EOS R1 + RF 24-105mm F4 L | Professional travel and assignments that need more range from one lens. | One stop slower. |
| EOS R1 + RF 24-105mm F2.8 L Z | Demanding hybrid work that needs reach and video-oriented controls. | Considerably larger and heavier. |
| EOS R1 + RF 28-70mm F2 L | Portraits, events and shallow-depth-of-field work. | Not as wide, heavy and without optical IS. |
Autofocus, viewfinder and 40 fps without losing the composition
Dual Pixel Intelligent AF covers the image and offers 1,053 positions during automatic selection. This figure describes selectable positions, not 1,053 physical focus points. In practice, subject recognition and the 9.44-million-dot electronic viewfinder help the photographer follow movement while continuing to read the whole frame.
Eye Control AF can be used to indicate an area by looking towards the subject in the viewfinder, but it needs to be calibrated for the individual photographer. It does not remove the need to choose an appropriate AF area or anticipate the direction of travel.
Stills and video: a practical hybrid production setup
The EOS R1 records internal RAW up to 6K 60p and 4K up to 120p, depending on the selected mode. The 24-70mm range suits this hybrid brief: 24mm for context, 35mm or 50mm for an interview and 70mm for a tighter cutaway. Nano USM focusing is fast and discreet.
For longer filming days, the main practical issue is weight. The camera with battery and card plus the lens weighs about 2.02kg before a microphone, cage or other accessories are added. A suitable support and a realistic rig are important once takes become longer.
Why 24.2 MP can be the right professional resolution
The 24.2 MP files contain sufficient detail for press, event, documentary and many print uses, while remaining quicker to transmit and archive than very high-resolution files. This balance is especially useful when several thousand photographs must be reviewed and delivered after an assignment.
A studio, landscape or commercial photographer who relies on deep crops may prefer more pixels. The EOS R1 prioritises readout speed, response and a fast professional workflow rather than replacing a specialist high-resolution body.
| Assignment | Useful setting or focal length | What to plan for |
|---|---|---|
| Wedding and event | 24-70mm, F2.8 and people detection. | A shutter speed high enough for moving subjects. |
| Fast documentary work | 35-50mm, pre-continuous shooting and short bursts. | Editing time, card capacity and storage. |
| Environmental portrait | 50-70mm at F2.8. | Working distance and background choice. |
| Close-range sport | 40 fps, subject recognition and 70mm. | The lens does not replace a telephoto zoom. |
| Hybrid video | 24mm for context and 50-70mm for tighter shots. | Overall weight and camera support. |
Close focusing and RF 24-70mm optical design
The RF 24-70mm F2.8 L IS USM uses 21 elements in 15 groups, including three aspherical and three UD elements. It focuses as close as 0.21m at 24mm and reaches a maximum magnification of 0.30x around 32mm. That is useful for table details, small products and accessories during an event.
It is not a substitute for a true macro lens, but this close-range flexibility reduces unnecessary lens changes. The control ring can also be assigned to an exposure setting, allowing a parameter to be adjusted while the eye remains at the viewfinder.
RF 24-70 F2.8, RF 24-105 F4 or RF 24-105 F2.8 Z?
The EOS R1 with RF 24-105mm F4 L IS USM adds 35mm of reach and uses a lighter lens, but it gives up one stop of maximum aperture. It is a better fit when focal range and endurance matter more than F2.8.
The EOS R1 with RF 24-105mm F2.8 L IS USM Z keeps F2.8 to 105mm and adds controls aimed at hybrid production. It is considerably larger and heavier. The 24-70mm F2.8 remains the classic balance of brightness, reach and portability.
When another EOS R1 configuration makes more sense
For architecture, interiors and immersive wide views, the Canon EOS R1 with RF 15-35mm F2.8 L IS USM reaches much wider. The RF 28-70mm F2 kit offers another stop of maximum aperture, but the complete setup is substantially heavier.
Choose the Canon RF 24-70mm F2.8 L IS USM lens page if the camera body is not required. The Canon EOS R1 category brings together the currently active body-and-lens combinations.
Weight, cards and the limits to plan before buying
The EOS R1 weighs approximately 1,115g with battery and card, and the lens adds 900g. The working combination therefore weighs about 2.02kg before accessories. The integrated-grip body balances the lens well, but the load is noticeable over a long assignment or on a gimbal.
Both card slots accept CFexpress Type B media. Extended bursts and the most demanding video modes require suitable cards, a fast reader and enough storage. At MCZ DIRECT, we position this as the all-round EOS R1 kit: excellent for fast work between 24mm and 70mm, but less appropriate when low weight, an ultra-wide view or long telephoto reach is the priority.
Our verdict
At MCZ DIRECT, we see this as the most balanced EOS R1 configuration for wedding, documentary and event photographers who want to cover a large part of an assignment with one lens. It is less suitable for photographers whose work is dominated by distant wildlife, very wide architecture or maximum-resolution studio files.
Compared with the 24-105mm F4, the 24-70mm F2.8 makes more sense when low light and wide-aperture rendering matter more than the extra 35mm of reach. Compared with the 24-105mm F2.8 Z, it is easier to carry. Its main limitation is not optical quality, but the total weight and the need for another lens whenever the subject falls outside the 24-70mm range.
Choose the Canon EOS R1 with RF 24-70mm F2.8 L IS USM if you need a fast, bright professional kit that can move from a wide view to a portrait during the same assignment.
- Photo resolution
- 24 to 32 MP
- Camera Format
- Full frame
- Lens mount
- Canon RF
- Recommended use
- All-round use
Landscape
Photo / video
Portrait
Reportage
Sport
Wildlife - Video
- 6K
- Stabilization
- With stabilisation
- Camera model
- Canon EOS R1
- Includes lens
- Yes
- Sensor size
- 36 x 24 mm
- Number of megapixels
- 20 to 30 MP
- Highest native ISO
- 51,200 to 102,400
- Level
- Professional
CANEOSR1RF2470F28X1
9507666825196
Canon EOS R1 + RF 24-70mm f/2.8 L IS USM videos
Technical specifications
General
Brand
Canon
Product type
Mirrorless camera
Camera type
Interchangeable-lens digital camera
Product line
Canon EOS R
Product series
EOS R
Specific model
EOS R1
Release date
2024-11
Available languages
Multilingual, including English
Camera
Level
Professional sport/action
Processor
DIGIC Accelerator and DIGIC X
Image ratio
3:2
Image stabilization
Yes
Autofocus
Yes
Lens mount
Canon RF / RF-S
RAW
Yes
File formats
Still image: JPEG, HEIF, RAW, C-RAW. Compression options and profiles according to Canon specifications.
Max burst speed
40 fps
Lens included
Yes
Kit configuration
Canon EOS R1 kit with RF 24-70mm F2.8L IS USM.
Included lens count
1
Included lens 1
RF 24-70mm F2.8L IS USM
Lens 1 model
RF 24-70mm F2.8L IS USM
Lens 1 mount
Canon RF
Lens 1 format
Full Frame
Lens 1 focal length
24-70 mm
Lens 1 max aperture
f/2.8
Lens 1 stabilization
Yes
Uses
All-round use
Yes
Architecture
Yes
Landscape
Yes
Portrait
Yes
Travel
No
Reportage
Yes
Sports
Yes
Wildlife
No
Photo / video
Yes
Vlogging
No
Sensor
Sensor type
36 x 24mm back-illuminated stacked full-frame CMOS sensor
Sensor size
36 x 24 mm
Crop factor
1.0x
Resolution
24.2 MP
Maximum resolution
6000 x 4000
Sensor cleaning
Yes
Standard ISO range
ISO 100-102400
Maximum native ISO
ISO 102400
Exposure
Metering modes
Real-time metering with image sensor, 6144-zone metering: evaluative, partial, spot and centre-weighted average.
Metering zones
6144
Fastest shutter speed
1/64000 s
Slowest shutter speed
30 s, Bulb
Bulb mode
Yes
AEB bracketing
Yes
Manual exposure
Yes
Self-timer
No
White balance settings
Auto white balance, daylight, shade, cloudy, tungsten, white fluorescent, flash, custom and colour temperature setting.
Aperture priority
Yes
Shutter priority
Yes
Display
Display type
Vari-angle touchscreen LCD monitor, 3.2-inch, approx. 2.1 million dots
Display size
3.2
Display resolution
2100000
Touchscreen
Yes
Live View
Yes
Viewfinder
Viewfinder
Yes
Viewfinder type
OLED electronic viewfinder, 9.44 million dots
Viewfinder coverage
100%
Flash
Built-in flash
No
Red-eye reduction
No
Flash modes
Canon-compatible external Speedlite flash; control via multi-function shoe depending on the model.
Flash technology
Canon Speedlite
Accessory shoe
Yes
Video
Video function
Yes
Full HD
Yes
4K UHD
Yes
6K video
Yes
7K video
No
8K video
No
Internal RAW recording
Yes
Clean HDMI output
Yes
Maximum video resolution
6K
Video frame rates
Video up to 6K depending on mode and card used.
Video compression
Compression and sampling depend on Canon EOS Movie modes.
Video file formats
Still image: RAW. Compression options and profiles according to Canon specifications.
Audio
Built-in microphone
Built-in microphone
Storage
Internal memory
No
Dual card slot
Yes
Memory types
Two CFexpress Type B card slots
Card types
CFexpress Type B
Connectivity
HDMI
Yes
HDMI type
HDMI output according to Canon specifications.
Microphone input
Yes
Microphone input type
External microphone input depending on Canon configuration.
Headphone output
Yes
USB
Yes
USB type
USB-C according to Canon specifications.
Ethernet
Yes
Wireless
Wi-Fi
Yes
Bluetooth
Yes
NFC
No
GPS
Yes
Physical properties
Depth
8.73 cm
Width
15.76 cm
Height
14.95 cm
Body material
Magnesium-alloy body/chassis with glass-fibre reinforced polycarbonate components.
Colour
Black
Waterproof
No
Splash resistant
Yes
Shockproof
No
Dust resistant
Yes
AF assist light
No
Tally light
No
Minimum operating temperature
0 °C
Maximum operating temperature
45 °C
Battery
Battery
Canon LP-E19 rechargeable Li-ion battery
USB charging
Yes
USB power delivery
Yes
Charger included
Yes
Buying guidance
Best for
Weddings, events, documentary work, environmental portraiture, corporate assignments, sport close to the action and hybrid photo-video work.
Less suited to
Less suitable when long telephoto reach or the lightest possible kit matters most; the camera with battery and card plus the lens weigh about 2.02kg.
Compatibility
Compatible with Canon RF/RF-S lenses; this kit includes RF 24-70mm F2.8L IS USM. RF-S lenses remain usable with APS-C crop depending on the body. EF/EF-S lenses require a compatible Canon EF-EOS R adapter.
Note
The RF 24-70mm F2.8 L IS USM uses the Canon RF mount and is designed for full-frame EOS R series cameras.
Included lens
Lens type
standard zoom lens
Lens series
Canon RF
Focal range
24-70 mm
Optical construction
21 elements in 15 groups
Optical stabilisation
Yes
AF drive
Nano Usm autofocus
Minimum focusing distance
21 cm
Maximum magnification
0.30x at 32mm
Maximum aperture
f/2.8
Minimum aperture
f/22
Diaphragm blades
9
Optical zoom
2.92x
Lens weight
900 g
Filter diameter
82 mm
Lens length
12.57 cm
Lens diameter
88.5 mm
Dust/splash resistance
Yes
Questions fréquentes sur ce produit
Who is the Canon EOS R1 with RF 24-70mm F2.8 for?
It is aimed mainly at professional documentary, wedding, event, press and close-range sports photographers who want to reduce lens changes.
Why pair the RF 24-70mm F2.8 with the Canon EOS R1?
The zoom covers the most frequently used documentary focal lengths, while the EOS R1 adds fast autofocus, up to 40 fps and a professional workflow.
Is the EOS R1 and 24-70mm kit suitable for weddings?
Yes. The wider end covers venues and groups, while 50-70mm works for portraits and details. F2.8 remains available throughout the zoom.
Does the RF 24-70mm F2.8 have image stabilisation?
Yes. Canon rates its optical stabilisation at five stops under its test conditions. It reduces camera movement, not subject movement.
RF 24-70mm F2.8 or RF 24-105mm F4?
The 24-70mm is one stop brighter and gives more background control. The 24-105mm reaches further and is lighter, but its maximum aperture is F4.
RF 24-70mm F2.8 or RF 24-105mm F2.8 Z?
The 24-105mm F2.8 Z adds reach and hybrid-production controls, but it is larger and heavier than the 24-70mm.
Does the Canon EOS R1 record 8K video?
No. The EOS R1 records internal RAW up to 6K 60p and 4K up to 120p, depending on the selected mode.
How much does the EOS R1 with RF 24-70mm F2.8 weigh?
The camera weighs about 1,115g with battery and card, and the lens 900g, giving a total of approximately 2.02kg before accessories.
Which memory cards does the Canon EOS R1 use?
It has two CFexpress Type B slots. Suitable cards are required for long bursts and the most demanding video modes.
Can the RF 24-70mm F2.8 focus closely?
Yes. It focuses down to 0.21m at 24mm and reaches 0.30x maximum magnification around 32mm, although it is not a true macro lens.
Is the EOS R1 and 24-70mm kit suitable for sport?
Yes when the action is close. A 70-200mm or longer telephoto is more appropriate for a full pitch or distant subjects.
Should I buy this kit or the EOS R1 body only?
Choose the kit if the RF 24-70mm F2.8 will be your main lens. The body-only option is more logical if you already own an equivalent RF zoom.
Reviews Canon EOS R1 + RF 24-70mm f/2.8 L IS USM
0 Rating
Customer photos
No customer photos yet
Tap to zoom
ALEX (In testing phase)