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The Canon EOS R3 with the RF 24-240mm F4-6.3 IS USM is a full-frame kit for photographers covering travel, events and reportage with one lens. The R3 brings a stacked 24.1MP sensor, subject detection and up to 30 fps electronic shooting, while the all-in-one 10x zoom moves from a 24mm wide view to a 240mm telephoto frame without changing lenses. That range helps when a speaker, performer or street scene shifts from close context to distant detail. Optical and in-body stabilisation support hand-held work, but cannot freeze a moving subject. The F4-6.3 aperture suits daylight and is less generous in dim venues. Choose it when flexibility and one working setup matter more than a bright aperture, light carry or maximum background blur.
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Main product
Canon EOS R3 + RF 24-240mm f/4-6.3 IS USM
€4,398.50
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Accessory
SanDisk 128GB Extreme PRO UHS-II SDXC 300 MB/s memory card
€210.00€199.50
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Accessory
Canon LP-E19 Battery (2700mAh)
€189.00€179.55
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Accessory
Canon Mount Adapter EF-EOS R – EF-EOS R Mount Adapter
€109.00€103.55
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warranty extension
2-year warranty extension
€351.88
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The Canon EOS R3 with the RF 24-240mm F4-6.3 IS USM is built around a simple working idea: keep the professional body ready while the lens covers most of the distances an assignment can present. At 24mm, you can show the room, street or landscape around the subject. At 240mm, you can pull a face, sign, detail or distant action closer in the frame. That makes the kit relevant to travel, events and reportage where the next position is not always predictable. It is also useful when the photographer has to stay in one permitted area, such as beside a stage, behind a press line or at the edge of a ceremony.
The pairing is more specific than a generic Canon R3 purchase. The R3 supplies a fast full-frame platform with advanced subject tracking, while the zoom supplies reach without asking you to carry several lenses for ordinary assignments. It suits photographers who value continuity and quick reframing. If you already own a clear RF lens plan, the Canon EOS R3 body only may be the more logical route; this kit is for giving the body an immediately broad role. Think of it as a working range for changing access and distance, rather than as a replacement for every specialised lens.
Canon EOS R3 with RF 24-240mm key strengths
24-240mm full-frame range : moves from a room-wide 24mm view to a distant 240mm detail, useful when a travel scene or event keeps changing distance.
One-lens working setup : reduces lens changes during a ceremony, assignment or dusty street walk when the next frame may arrive quickly.
Up to 30 fps electronic shooting : gives you several phases of a short gesture, performance or moving subject to choose from.
Dual Pixel CMOS AF II : supports tracking for people, dogs, cats, birds, cars and racing motorcycles as they move through the scene.
24.1MP stacked full-frame sensor : balances detailed files with a manageable workflow when a press, event or reportage assignment produces many frames.
Up to 5-stop optical stabilisation in the lens : helps steady a hand-held frame at dusk or at the long end, while leaving subject movement to shutter-speed control.
Nano USM autofocus motor : supports responsive photo focusing and smooth transitions when the same kit moves into video work.
0.5m minimum focus and 0.26x magnification : lets you record menus, objects, details and textures without changing lenses when the subject comes close.
5.76-million-dot OLED viewfinder : provides a detailed, 100% view of the composition at up to 120 fps when bright event light makes the rear screen harder to read.
CFexpress Type B and UHS-II SD slots : give demanding stills and video assignments a card workflow that can match the selected recording mode.
One lens for moving from a wide establishing shot to a distant detail during an assignment.
24mm to 240mm: a range that follows the assignment
The wide end is useful when the subject cannot be separated from its setting. A 24mm frame can place a speaker inside a venue, include several people around a table or show the scale of a street scene. Moving through 35mm and 50mm brings a more natural perspective for people and everyday reportage. Around 70-105mm, you can make a portrait in context or isolate a moment without standing directly beside it.
At 135-240mm, the lens becomes a practical tool for details across a room, a performer on a stage or a distant exchange on the street. The change is about more than magnification: longer focal lengths reduce the amount of background in the frame, which can make a busy scene easier to read. A 10x zoom cannot replace a specialist ultra-wide or long telephoto, but it can keep a real assignment moving when the photographer has no time to change position or lenses. The useful question is where the subject will be, not whether 240mm sounds impressive: many scenes will be solved between 50mm and 135mm.
Why one lens can be a working advantage
Changing lenses is sometimes part of the craft, but it is not always the best use of a moment. During a conference, a wedding reception, a market walk or a news assignment, a subject can move from two metres away to the far side of the room before a new lens is mounted. The RF 24-240mm lets you alter framing from the camera position. That can protect a sequence from an avoidable pause and keeps the sensor closed when dust, wind or light rain makes an exposed lens change less attractive. It also reduces the chance of leaving the right focal length in the bag while a scene develops in front of you.
The trade-off is physical rather than conceptual. The lens weighs about 750g, and the complete kit is approximately 1.77kg with battery and card, before a strap or other accessories. It is therefore easier to simplify the bag than to make the camera genuinely small. The value appears when one camera and one lens are more practical than a pair of bodies or a collection of lenses. Photographers who need a light, discreet travel camera should compare the total carry weight before choosing.
Canon EOS R3 + RF 24-240mm features translated into photographic use
Feature
Practical benefit
Photographic situation
24-240mm 10x zoom
Change the scale of the frame without changing lenses
Show a venue at 24mm, then isolate a speaker or distant detail at 135-240mm
Up to 30 fps electronic shooting with tracking AF/AE
Record several phases of a short movement
Choose a gesture, expression or passing subject from a controlled burst
F4-6.3 maximum aperture
Keep a wide-to-telephoto lens in a manageable all-round kit
Work comfortably in daylight, while allowing more ISO in a dim venue
Optical IS up to 5 stops
Reduce the effect of photographer movement in a hand-held frame
Photograph a still interior or distant travel detail when a tripod is inconvenient
0.5m minimum focus and 0.26x magnification
Keep close details within the same lens workflow
Record a menu, object, texture or small product detail during a travel assignment
The R3 sensor and burst modes for decisive moments
The EOS R3 uses a 36 x 24mm stacked, back-illuminated full-frame CMOS sensor with approximately 24.1 effective megapixels and a DIGIC X processor. That resolution is well suited to work where files must be reviewed, selected and delivered at pace. You retain room for a considered crop from a 240mm frame, while the file sizes remain more manageable than those from a much higher-resolution body when an event produces a large sequence.
For short action, the electronic shutter can reach 30 frames per second with AF and AE tracking, while the mechanical shutter reaches 12 frames per second. A separate high-speed burst mode can reach up to 195 frames per second for a limited sequence, but without AF and AE tracking; it is a specialist option, not the normal continuous rate. The useful advantage in a moving scene is control: select a sensible burst length, follow the subject and keep your attention on the moment rather than treating a high number as a guarantee. A short sequence of a handshake, raised arm or turning head is often easier to edit than a long stream of nearly identical frames.
Autofocus that helps with people, animals and vehicles
Dual Pixel CMOS AF II gives the R3 a subject-aware autofocus system for people, animals and vehicles. That matters when a guest crosses between tables, a dog runs through a park, a bird changes direction or a car approaches along a course. The camera can use recognised subject information to support tracking, leaving the photographer more room to adjust timing and composition instead of relying only on a single fixed focus point. With the zoom, that help remains relevant as the photographer changes from a contextual view to a tighter frame without interrupting the sequence.
Eye Control AF adds another way to indicate the subject or area you want to address, with calibration and effectiveness depending on the photographer and the conditions. It should be treated as a useful workflow choice, not a promise that the camera will always select the intended subject. At 240mm, locating the subject and choosing an AF area that suits the background still matter. The kit offers assistance, but anticipation and a suitable shutter speed remain part of the photograph.
The kit’s key figures placed in the context of a working assignment.
Stabilisation and aperture: where the balance changes
The RF 24-240mm has optical stabilisation rated up to five stops, while the EOS R3 body can provide up to eight stops of in-body stabilisation depending on the lens and conditions. The figures should not be added together as a guaranteed kit result. In practical terms, the systems can make a hand-held frame steadier at the long end or in lower light, which is useful for a quiet interior, a city detail after sunset or a travel scene where a tripod would slow the work. That benefit is most visible with a relatively still subject, such as a building, display or landscape layer.
The main limit is the F4-6.3 maximum aperture. At 24mm, F4 can be comfortable for daylight and many indoor scenes; at 240mm, F6.3 gives less light to the sensor and less control over subject separation than an F2.8 zoom. Stabilisation reduces camera shake, not the movement of a dancer, child or vehicle. In a dim event, you may need a higher ISO, a slower subject speed or a brighter alternative such as the R3 with the RF 24-70mm F2.8 L.
Viewfinder and screen keep composition under control
The 5.76-million-dot OLED viewfinder covers approximately 100% of the frame and can refresh at up to 120 frames per second. A detailed, responsive view helps when you need to judge the edge of a group, keep a distant subject inside the 240mm frame or work under strong daylight. It is especially useful for events where the photographer must compose without drawing attention to the rear screen.
The 3.2-inch vari-angle touchscreen has approximately 4.15 million dots and can change the camera position without forcing the photographer into an awkward stance. That helps with a low viewpoint for a room, an overhead detail at a crowded event or video framing from a position below eye level. Touch control is convenient, but the deeper benefit is continuity: the camera can adapt its viewing position while the 24-240mm range adapts the framing. Together, they help the photographer keep working when eye-level composition is blocked by a crowd or restricted by the location.
Choose a focal length for the scene in front of you
Focal length
How the frame changes
Useful situation
24mm
Shows more of the setting and helps close spaces feel connected
Architecture in context, a meeting room, a group or a street scene
35-50mm
Keeps a familiar perspective for everyday documentary work
Street portraits, travel moments and small groups
70-105mm
Reduces background distraction while retaining some context
A speaker, performer or portrait made within the event environment
135-240mm
Brings distant detail forward and compresses layers in the scene
Stage work, signage, a distant interaction or a landscape detail
Travel, events and reportage: where this pairing earns its place
For professional travel, this kit covers the shift from a broad location view to a detail that cannot be reached easily. You can photograph a building in context at 24mm, make a natural street portrait around 50mm, then isolate a balcony, sign or distant interaction at 200-240mm. The single-lens approach also keeps the working routine straightforward when moving between transport, interiors and busy public spaces. It gives the assignment a consistent visual tool even when the day moves from a city walk to a formal meeting or an evening venue.
Events make the same flexibility visible in a different way. A 24mm frame can establish a hall, while 85mm or 135mm can record a speaker or performer without walking into the scene. The R3's subject detection and burst capability help when gestures are brief, and Nano USM supports a responsive photo focus with smoother transitions for video. In a dark venue, however, the lens aperture becomes the deciding factor; this is a flexible event kit, not a pairing designed primarily for low light.
Video and file handling for a mixed assignment
The R3 can record internal 6K RAW up to 60p and 4K up to 120p, depending on the selected mode. That gives a photographer the option to move from stills to motion when a speech, performance or travel sequence needs more than individual frames. The RF 24-240mm adds useful reframing for video, while Nano USM supports smooth focusing transitions. At 240mm, though, every hand movement is enlarged, so a steady position and deliberate camera movement are still important.
The camera has one CFexpress Type B slot and one SD slot compatible with UHS-II. The correct card choice depends on the recording mode and the intended workflow, particularly for demanding video or a long burst sequence. Ethernet, 2.4 and 5GHz Wi-Fi, and Bluetooth can support connected work in an event or newsroom context. The LP-E19 battery and LC-E19 charger belong to the professional body setup; planning power and transfers before the assignment keeps the benefits of a broad zoom from being undermined by an unprepared file workflow. The R3 is ready for a serious workflow, but the photographer still has to decide how files will be stored, copied and delivered.
Which Canon EOS R3 configuration matches the assignment?
Outdoor sport, wildlife or aviation starts well beyond the 24mm wide view
Three configurations for choosing focal coverage, constant aperture or low-light performance.
The right R3 kit depends on what you photograph
Choose the 24-240mm kit when your subjects regularly move between near and far, the assignment rewards a single camera setup, and daylight or moderate indoor light covers most of your work. It is a strong fit for travel professionals, event photographers, documentary work and anyone who wants the R3's tracking and burst capability without carrying a separate lens for every change of distance. The 72mm filter thread and circular seven-blade diaphragm also make it easy to keep a familiar filter routine and can help give out-of-focus highlights a rounded appearance. Close focus at 0.5m adds another practical use when the assignment suddenly turns toward a nearby object or detail.
The nearby alternatives are defined by their compromises. The Canon EOS R3 + RF 24-105mm F4 L IS USM gives a shorter range with L-series positioning and a constant F4 aperture; the Canon EOS R3 + RF 24-70mm F2.8 L IS USM gives more light and stronger background separation over a shorter range. The RF 100-400mm is more appropriate when distant action matters more than wide views. This 24-240mm kit is the broader travel and event answer, provided you accept that Canon does not claim dust or moisture resistance for this lens and that it is not compatible with Canon RF extenders.
Our verdict
At MCZ DIRECT, we place the Canon EOS R3 with the RF 24-240mm F4-6.3 IS USM as the range-flexibility kit for travel, events and reportage. It gives the R3 a practical role from 24mm through 240mm, keeps lens changes to a minimum and makes good use of the body's tracking, burst and viewfinder capabilities. Compared with the R3 body only, it is the more immediate all-round working setup. Compared with the 24-105mm F4 L or 24-70mm F2.8 L combinations, its advantage is reach rather than aperture or L-series positioning.
The honest limit is the lens's F4-6.3 aperture and the size of the complete kit. Low-light event work may favour the RF 24-70mm F2.8 L, while a photographer chasing distant wildlife may need a dedicated telephoto. Canon also does not claim dust or moisture resistance for the RF 24-240mm. For a photographer who wants a professional R3 body with one lens that can move from a wide scene to a distant detail, and who accepts those boundaries, this is a coherent and capable choice.
Choose this R3 configuration when one flexible lens matters more than a brighter aperture or a specialist focal-length range.
Photo resolution
24 to 32 MP
Camera Format
Full frame
Lens mount
Canon RF
Recommended use
All-round use
Landscape
Photo / video
Portrait
Reportage
Sport
Wildlife
The Canon RF 50mm F1.2L USM is a professional prime lens for portrait, wedding and reportage photographers who want distinctive subject separation, and we recommend it when rendering and available-light performance matter more than low weight. Its f/1.2 aperture can produce very shallow depth of field while helping retain a practical shutter speed indoors...
The Canon RF 85mm F1.2L USM is a professional portrait lens for Canon EOS R cameras, recommended for photographers who value strong subject separation, fine detail and a very wide aperture in available light. Its 85mm view gives faces a flattering perspective, while f/1.2 can simplify a busy background and preserve useful shutter speed as light falls....
The Canon RF 24-70mm F2.8L IS USM is a professional standard zoom for EOS R photographers and filmmakers who need one dependable lens for varied assignments, and we recommend it for its balance of speed, range and handling. It moves from a wide 24mm view to a tighter 70mm portrait without changing its maximum F2.8 aperture. Canon rates the optical...
The Canon RF 70-200mm F2.8L IS USM is a bright, compact telephoto zoom for sports, wedding, portrait and reportage photographers, and we recommend it to anyone who wants an f/2.8 70-200mm that is easy to carry. Its constant aperture helps retain a fast shutter speed as light falls and separates the subject from the background. Dual Nano USM and...
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Canon EOS R3 + RF 24-240mm f/4-6.3 IS USM videos
Technical specifications
General
Brand
Canon
Product type
Mirrorless camera
Camera type
Interchangeable-lens digital camera
Product line
Canon EOS R
Product series
EOS R
Specific model
EOS R3
Release date
2021-11
Available languages
Multilingual, including English
Camera
Level
Professional sport/reportage
Processor
DIGIC X
Image ratio
3:2
Image stabilization
Yes
Autofocus
Yes
Lens mount
Canon RF / RF-S
RAW
Yes
File formats
Still image: JPEG, HEIF, RAW, C-RAW. Compression options and profiles according to Canon specifications.
Max burst speed
30 fps
Lens included
Yes
Kit configuration
Canon EOS R3 kit with RF 24-240mm F4-6.3 IS USM.
Included lens count
1
Included lens 1
RF 24-240mm F4-6.3 IS USM
Lens 1 model
RF 24-240mm F4-6.3 IS USM
Lens 1 mount
Canon RF
Lens 1 format
Full frame
Lens 1 focal length
24-240
Lens 1 max aperture
F4-6.3
Lens 1 stabilization
Yes
Uses
All-round use
Yes
Architecture
No
Landscape
Yes
Portrait
Yes
Travel
Yes
Reportage
Yes
Sports
Yes
Wildlife
Yes
Photo / video
Yes
Vlogging
No
Sensor
Sensor type
36 x 24 mm CMOS
Sensor size
36 x 24 mm
Crop factor
1.0x
Autofocus points
1053
Resolution
24.1 MP
Maximum resolution
6000 x 4000
Sensor cleaning
Yes
Standard ISO range
ISO 100-102400
Maximum native ISO
ISO 102400
Exposure
Metering modes
Real-time metering with image sensor, 384-zone metering: evaluative, partial, spot and centre-weighted average.
Metering zones
384
Fastest shutter speed
1/64000 s
Slowest shutter speed
30 s, Bulb
Bulb mode
Yes
AEB bracketing
Yes
Manual exposure
Yes
Self-timer
No
White balance settings
Auto white balance, daylight, shade, cloudy, tungsten, white fluorescent, flash, custom and colour temperature setting.
Aperture priority
Yes
Shutter priority
Yes
Display
Display type
Vari-angle touchscreen LCD monitor, 3.2-inch, approx. 4.15 million dots
Display size
3.2
Display resolution
4150000
Touchscreen
Yes
Live View
Yes
Viewfinder
Viewfinder
Yes
Viewfinder type
OLED electronic viewfinder, 5.76 million dots
Viewfinder coverage
100%
Flash
Built-in flash
No
Red-eye reduction
No
Flash sync speed
1/200 s / 1/250 s / 1/180 s
Flash modes
Canon-compatible external Speedlite flash; control via multi-function shoe depending on the model.
Flash technology
Canon Speedlite
Accessory shoe
Yes
Video
Video function
Yes
Full HD
Yes
4K UHD
Yes
6K video
Yes
7K video
No
8K video
No
Internal RAW recording
Yes
Clean HDMI output
Yes
Maximum video resolution
6K
Video frame rates
Video up to 6K depending on mode and card used.
Video compression
Compression and sampling depend on Canon EOS Movie modes.
Video file formats
Still image: RAW. Compression options and profiles according to Canon specifications.
Audio
Built-in microphone
Built-in microphone
Storage
Internal memory
No
Dual card slot
Yes
Memory types
CFexpress and SD card slots according to Canon official configuration.
Card types
CFexpress and SD card slots according to Canon official configuration.
SD speed classes
Use a card that matches the selected photo/video mode.
Connectivity
HDMI
Yes
HDMI type
HDMI output according to Canon specifications.
Microphone input
Yes
Microphone input type
External microphone input depending on Canon configuration.
Headphone output
Yes
USB
Yes
USB type
USB-C according to Canon specifications.
Ethernet
Yes
Wireless
Wi-Fi
Yes
Bluetooth
Yes
NFC
No
GPS
No
Physical properties
Depth
8.72 cm
Width
15 cm
Height
14.26 cm
Body material
Magnesium-alloy body/chassis with glass-fibre reinforced polycarbonate components.
Colour
Black
Waterproof
No
Splash resistant
Yes
Shockproof
No
Dust resistant
Yes
AF assist light
No
Tally light
No
Minimum operating temperature
0 °C
Maximum operating temperature
40 °C
Battery
Battery
Canon LP-E19 rechargeable Li-ion battery
USB charging
Yes
USB power delivery
Yes
Charger included
Yes
Buying guidance
Best for
Reportage, event photography, professional travel, corporate assignments and hybrid photo-video coverage.
Less suited to
Less suitable for frequent low-light action, maximum background blur, ultra-wide interiors or very distant wildlife beyond 240mm.
Compatibility
Compatible with Canon RF/RF-S lenses; this kit includes RF 24-240mm F4-6.3 IS USM. RF-S lenses remain usable with APS-C crop depending on the body. EF/EF-S lenses require a compatible Canon EF-EOS R adapter.
Note
The RF 24-240mm fits Canon EOS R-series cameras directly. Canon RF extenders are not compatible with this lens, and Canon does not claim dust or moisture resistance for it.
Included lens
Lens type
All-in-one zoom lens
Lens series
Canon RF
Focal range
24-240mm
Optical construction
21 elements in 15 groups
Optical stabilisation
Yes
AF drive
Nano USM autofocus
Minimum focusing distance
50 cm
Maximum magnification
0.26x
Maximum aperture
F4-6.3
Minimum aperture
F22-38
Diaphragm blades
7
Optical zoom
10x
Lens weight
750 g
Filter diameter
72 mm
Lens length
12.25 cm
Lens diameter
80.4 mm
Dust/splash resistance
No
Canon EOS R3 with RF 24-240mm F4-6.3 IS USM frequently asked questions
Who is the Canon EOS R3 with RF 24-240mm for?
It is for advanced and professional photographers covering travel, events and reportage who want one full-frame kit for subjects that move from nearby context to distant detail.
What does the 24-240mm range allow?
At 24mm it can show a room, group or landscape in context; toward 240mm it can isolate a speaker, performer, sign or distant subject without changing lenses.
Is this kit suitable for travel photography?
Yes, when flexibility and fewer lens changes matter. It covers wide location views, natural perspectives and distant details, although the complete kit weighs about 1.77kg with battery and card.
Is the RF 24-240mm suitable for indoor events?
It can work well in moderately lit venues, but its F4-6.3 aperture becomes a limitation as light falls. The RF 24-70mm F2.8 L is the closer alternative when low light is a priority.
Can the EOS R3 shoot at 30 frames per second?
Yes. It can reach up to 30 frames per second with the electronic shutter and AF/AE tracking, while the mechanical shutter reaches up to 12 frames per second.
What subjects can the EOS R3 track?
Its Dual Pixel CMOS AF II can track people, dogs, cats, birds, cars and racing motorcycles, with performance still depending on the scene and the selected AF setup.
Does stabilisation freeze a moving subject?
No. Optical and in-body stabilisation help reduce camera movement, but a moving person, animal or vehicle still requires an appropriate shutter speed.
How close can the RF 24-240mm focus?
Its official minimum focus distance is 0.5m, with a maximum magnification of 0.26x. That is useful for details and textures, but it is not a dedicated macro lens.
Is the RF 24-240mm weather sealed?
Canon does not claim dust or moisture resistance for this lens, so photographers working in difficult conditions should plan appropriate protection and consider the assignment before choosing it.
Can this Canon kit record video?
Yes. The EOS R3 supports internal 6K RAW up to 60p and 4K up to 120p depending on the recording mode, while the Nano USM drive supports smooth focusing transitions.
Which memory cards does the EOS R3 use?
It has one CFexpress Type B slot and one SD slot compatible with UHS-II. The best card choice depends on the selected stills or video recording mode.
Can Canon RF extenders be used with the RF 24-240mm?
No. The RF 24-240mm is not compatible with Canon RF extenders, so photographers needing more than 240mm should choose a lens designed for that reach.
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