✓Free delivery with insurance includedYour order is protected from dispatch to delivery: in case of loss, theft or damage during transport, your parcel is insured up to its value.
The Canon EOS R3 + RF 85mm F1.2 L USM is a specialist full-frame kit for portrait, wedding, editorial and fashion photographers who want a bright 85mm perspective and fast subject response. The 24.1MP stacked EOS R3 brings Dual Pixel CMOS AF II, subject recognition, Eye Control AF, up to 30 fps electronic shooting with AF/AE tracking and up to 8 stops of IBIS in suitable conditions. The RF 85mm F1.2L adds a nine-blade aperture and a shallow, expressive depth of field for faces, details and low-light scenes. It is also a demanding pairing: about 2.21kg ready, fixed at 85mm, with no optical IS and no macro capability. Choose it for a deliberate portrait look and decisive autofocus, not for zoom-like flexibility.
Compatible pack
Complete your set
Combine compatible accessories and save. The more items you add, the bigger the discount.
1 5.00%2 8.00%3 10.00%4+ 12.00%
Main product
Canon EOS R3 + RF 85mm f/1.2 L USM
€5,638.25
Compatible
Accessory
SanDisk 128GB Extreme PRO UHS-II SDXC 300 MB/s memory card
€210.00€199.50
Compatible
Accessory
Canon LP-E19 Battery (2700mAh)
€189.00€179.55
Compatible
Accessory
Canon Mount Adapter EF-EOS R – EF-EOS R Mount Adapter
€109.00€103.55
Compatible
warranty extension
2-year warranty extension
€451.06
0% offYou save-
No accessory selectedUse the standard buy box to buy the product alone.
The Canon EOS R3 + RF 85mm F1.2 L USM is a focused choice for photographers who want a strong portrait perspective without stepping as close as they would with a wider lens. The combination makes sense for wedding portraits, fashion, editorial assignments and low-light people photography, where an expressive face, a gesture or a detail needs to stand apart from its surroundings. The 85mm focal length is long enough to give a little working room, while the F1.2 aperture keeps the visual character unmistakably that of a fast prime. It is a kit built around a way of seeing, rather than a promise to cover every scene from one position.
The camera gives that lens a responsive professional platform: a 24.1MP stacked full-frame sensor, Dual Pixel CMOS AF II, subject recognition and electronic shooting up to 30 frames per second with AF/AE tracking. Mechanical shooting reaches 12 fps when that approach is preferable. If you already own RF lenses and want to choose the glass separately, the Canon EOS R3 body only keeps the decision open. This kit earns its place when the 85mm look and F1.2 aperture are central to the assignment from the beginning. That focus keeps the buying decision honest: a bright prime can define the look, but it cannot replace a wider or longer lens when the story changes.
Canon EOS R3 with RF 85mm F1.2 L key strengths
Bright 85mm F1.2 perspective gives portraits and editorial frames a clear subject-isolating look in available light.
24.1MP stacked full-frame sensor balances detailed files with a responsive camera built for decisive moments.
Up to 30 fps electronic shooting with AF/AE tracking helps preserve brief expressions, gestures and movement.
Dual Pixel CMOS AF II with subject recognition supports people-focused work when the subject shifts through the frame.
Eye Control AF offers a direct way to indicate the area of the scene that deserves the photographer's attention.
Up to 8 stops of in-body stabilisation in suitable conditions can steady hand-held framing when the subject is relatively still.
Nine-blade RF 85mm F1.2L diaphragm gives the photographer control over a deliberately shallow portrait look.
0.85m minimum focus and 0.12x magnification allow closer details without pretending this is a macro lens.
CFexpress Type B plus SD UHS-II slots support a practical stills and video workflow for demanding assignments.
Four situations where the 85mm working distance and F1.2 aperture make a practical difference.
What 85mm changes in portrait and editorial work
An 85mm lens gives a portrait photographer a useful middle ground. You can keep enough distance for a natural conversation and still fill the frame with a face, half-length pose or fashion detail. In a wedding, that distance can help when the couple is moving between people or when the photographer wants to observe rather than interrupt. In an editorial setting, it lets the subject retain a relationship with the location while the background becomes less dominant. The result is not automatically better than a wider or longer focal length; it is simply a practical distance that suits many people-focused scenes.
The RF 85mm F1.2L uses a 13-element, 9-group optical construction and a nine-blade diaphragm. Those figures matter because the lens is designed to give the photographer a bright, highly selective portrait tool, not because a specification list creates the photograph. The large aperture can separate a subject from a distracting background, but the photographer still has to choose a clean position, a useful line of sight and an aperture that keeps the important part of the face or garment in focus. For the lens on its own, the Canon RF 85mm F1.2L USM is the relevant destination. The specification is a starting point for handling light, not a shortcut around composition, expression or the small choices that make a portrait feel intentional.
F1.2 and shallow depth of field: control before drama
F1.2 gives this kit a genuine low-light advantage in situations where a faster shutter speed or a lower ISO can protect the look of the image. It can help at a dim reception, in a quiet indoor portrait session or backstage when the available light is part of the story. The reward is also a very narrow plane of focus. At close portrait distances, the difference between a convincing eye and a slightly missed focus is small, so Dual Pixel CMOS AF II and subject recognition are valuable support rather than a substitute for attention. A bright aperture expands your options; it does not remove the need to make one deliberate focus decision.
The nine blades help maintain a rounded aperture shape as you stop down, which gives the photographer room to move away from the widest setting when more of a face, outfit or detail should remain sharp. That choice can be especially useful in fashion, where a garment and expression may both matter, or in a couple's portrait where two people are not perfectly aligned. The camera's 24.1MP file gives room for a considered edit, but resolution cannot rescue an image whose intended subject was never held. Use F1.2 when the shallow look and available light are part of the plan, not as a setting applied to every frame. For a series, consistency often matters more than maximum blur, because a controlled aperture can preserve the relationship between styling, gesture and setting across several frames.
Choose the R3 kit for the way you work
Choose the R3 kit for the way you work
Option
Best fit
What to anticipate
RF 85mm F1.2 L kit
Portrait, wedding, editorial and fashion work in rooms where the photographer can move
Bright F1.2 look and a useful people-focused view, with a fixed focal length and substantial weight
RF 135mm F1.8 L kit
Portrait, ceremony, fashion and stage work where the photographer can stay farther away
More distance and a tighter frame, but greater space requirements indoors
RF 70-200mm F2.8 L kit
Events and sport where the subject distance changes repeatedly
More framing flexibility, without the fixed-prime simplicity or F1.2 aperture
Autofocus and burst sequences when the moment moves
Dual Pixel CMOS AF II with subject recognition gives the pairing a useful response for people who turn, walk or change expression without warning. At 85mm, a small movement can change the balance of a close portrait, so keeping the intended subject under the AF system's attention is more important than simply choosing the fastest possible drive rate. Subject recognition can assist with faces and eyes, while the photographer remains responsible for the AF area, the composition and the moment at which the image is made. That balance suits wedding entrances, editorial movement and portraits where the pose is alive rather than fixed.
The EOS R3 can shoot electronically at up to 30 fps with AF/AE tracking, or mechanically at up to 12 fps. A short burst around a laugh, a turn of the head or a hand gesture can give a useful choice without forcing the photographer to direct every movement. The separate special mode reaching 195 fps is a brief high-speed option without AF/AE tracking, so it should not be treated as a faster version of the normal action workflow. For photographers comparing another kit in the same family, the Canon EOS R3 + RF 135mm F1.8 L IS USM changes the working distance while keeping the same body-led response. The useful habit is to treat the drive mode as a short response window, then return to observation so the session does not become a file-management exercise.
Eye Control AF and the photographer's judgement
Eye Control AF gives the photographer another way to indicate where attention should go in the frame. In a portrait session with several people, a wedding scene with overlapping faces or an editorial composition where the subject sits off centre, that direct input can feel more natural than repeatedly moving an AF point. It is a workflow choice rather than a guarantee: calibration, the photographer's eye and the visual complexity of the scene all matter. When it works with the way you already look through a viewfinder, it can reduce the distance between seeing the moment and asking the camera to follow it.
The 5.76-million-dot electronic viewfinder supports that kind of close observation by giving the photographer a detailed live view of the composition, while the 85mm perspective keeps attention on the person or detail that matters. A high-resolution viewfinder is most useful when it supports a decision: checking the eye position, watching a gesture develop or judging whether the background has become distracting. It is not a replacement for moving your feet. If the subject is hidden, the light is changing or two faces overlap, the photographer may still need to recompose, change the AF approach or wait for a cleaner instant. That is the difference between a helpful control and a novelty: it has value when it shortens a real decision in your existing way of working.
The kit’s essential figures placed in a real portrait workflow.
Weddings, editorial and fashion without losing the story
At a wedding, the 85mm focal length is versatile enough for a close portrait, a small group with room around it or a candid exchange from a respectful position. The F1.2 aperture is useful as the day moves from bright preparation spaces into a darker reception, while the R3's tracked electronic burst can help with a quick embrace or a glance that lasts less than a second. The kit is particularly coherent for the parts of the day where people are the subject. It becomes less complete when the assignment demands a very wide room view, a large group in a tight venue or frequent changes in framing from one fixed position.
Editorial and fashion work benefit from the same discipline. The photographer can use the 85mm view to hold a model's expression and garment detail together, then change the distance or aperture to give the location more presence. A 50mm option can feel easier when the concept needs more environment, while a 135mm view can create more separation when there is space to step back. The Canon EOS R3 + RF 50mm F1.2 L USM is therefore a useful nearby comparison, not a replacement. The right kit depends on how much context the frame must carry. The kit is strongest when the photographer can anticipate the next position, leave enough room around the subject and accept that one lens will not tell the whole story.
Low light, stabilisation and the missing lens IS
The EOS R3 provides in-body image stabilisation rated at up to 8 stops depending on the lens, conditions and the way the image is made. That can help keep a hand-held portrait, a quiet detail or a waiting moment steady when the subject is relatively still. The RF 85mm F1.2L has no optical image stabilisation, so the stabilisation benefit comes from the camera body and should be understood on those terms. At 85mm, a stable camera can make it easier to compose carefully in low light, but the system is not promising that every slow shutter speed will produce a sharp person.
Stabilisation reduces camera movement; it does not freeze a moving subject. A bride turning quickly, a dancer crossing a stage or a child running through a reception still needs a shutter speed matched to the action. This is where F1.2 helps, giving more light to work with while keeping the kit's distinctive shallow depth of field available. In a video setup, the same distinction remains important: camera movement, subject movement and focus transitions are separate decisions. The wide aperture is a tool for the scene, not permission to ignore motion or focus discipline. For a portrait that includes motion, the safer choice may be more light, a faster shutter or a smaller aperture rather than relying on stabilisation alone.
Turn the main specifications into field decisions
Turn the main specifications into field decisions
Characteristic
Field benefit
Point to plan
24.1MP stacked full-frame sensor
Provides detailed files while supporting a camera designed around responsive capture
The kit is optimised for decisive moments, not only for static, high-resolution studio work
Up to 30 fps electronic with AF/AE tracking
Keeps more options around a fleeting expression, gesture or movement
The separate 195 fps mode is brief and has no AF/AE tracking
Eye Control AF and subject recognition
Helps direct attention toward people and the part of the scene that matters
Calibration, AF setup and photographer judgement still affect the result
Up to 8 stops of in-body stabilisation
Can steady hand-held framing when the subject is relatively still
The lens has no optical IS, and stabilisation does not freeze subject movement
RF 85mm F1.2L, 13/9 design and 9 blades
Offers a bright portrait aperture and control over a selective depth of field
F1.2 makes focus placement demanding and the lens is not a macro or extender-compatible option
CFexpress Type B plus SD UHS-II
Supports a deliberate stills and video storage plan
Choose cards and a transfer routine that match the recording mode
Handling a 2.21kg professional combination
The body is approximately 1,015g ready to shoot, and the RF 85mm F1.2L weighs about 1,195g. Together, the combination is approximately 2.21kg before an extra battery, card wallet, strap or other accessories. That weight can feel reassuring in the hand, but it also shapes the day: a photographer carrying it through a full wedding, keeping it ready during a ceremony or holding it for repeated portrait sequences should plan the strap, support and breaks accordingly. This is a professional pairing with a substantial presence, not a discreet lightweight kit for casual walking.
The lens measures 103.2mm by 117.3mm and takes 82mm filters. Its USM focusing system supports the responsive feel expected for stills and can be useful when the subject's movement is modest, while the physical size reminds you that the F1.2 design has real handling consequences. The fixed 85mm view asks you to move rather than zoom, and there is no extender to add another focal-length strategy later. Those are not minor footnotes. They are the practical cost of choosing this bright prime for its optical character and not for an all-day, one-lens convenience. A support choice should be made before the job, because the best moment is often the one that arrives after several hours of carrying the camera.
Stills, video and a prepared professional workflow
The camera combines a CFexpress Type B slot with an SD UHS-II slot, giving the photographer two different storage paths for a professional assignment. The choice of card should follow the selected recording mode and the way files will be protected, transferred and backed up after the shoot. That matters when the camera is being used at 30 fps, because a successful burst is only useful if the photographer can review it without losing track of the sequence. A simple routine for card rotation and delivery is part of the kit's value, especially for weddings and editorial work with a fixed deadline.
For video, the EOS R3 supports internal 6K RAW at up to 60p and 4K at up to 120p, depending on the selected mode. The 85mm perspective can give interviews, fashion details and performance close-ups a controlled, intimate frame, while the F1.2 aperture can keep the background visually quiet. The trade-off is equally clear: an 85mm frame is harder to establish in a small room, and the shallow focus requires more deliberate movement and focus management. Photographers wanting to survey the full body range can use the Canon EOS R3 camera category before deciding whether this specialist view belongs in a wider production kit. Fast recording modes also make post-production choices more deliberate: card speed, file volume and backup time all belong in the assignment plan.
Match the kit to the assignment
Match the kit to the assignment
Assignment
Why this pairing fits
Watch before choosing
Wedding portrait and reception
85mm keeps the photographer close enough to direct a portrait while F1.2 helps as light falls
A second wider lens may still be needed for rooms and large groups
Editorial and fashion
The fixed perspective gives a consistent look and keeps attention on expression, styling and detail
The shallow depth of field needs deliberate focus and aperture choices
Low-light people photography
F1.2 and the R3 focus system give more scope to work with available light and changing expressions
IBIS helps camera movement, not a moving subject, and the lens has no optical IS
Stage or performance close-up
The 85mm frame can isolate a performer while the R3's burst modes preserve brief moments
A 135mm or zoom can be better when the photographer must work from far away
Mixed stills and video
6K RAW up to 60p and 4K up to 120p add a serious moving-image option
The fixed view and shallow focus require a stable, planned camera position
Four lenses for choosing context, portrait distance, extra reach or framing flexibility.
Where this kit fits beside the other R3 options
For people-led work, this pairing is the most natural fit when the photographer wants a bright, expressive short-telephoto perspective. Compared with the 135mm kit, it needs less room to work and is easier to use when a portrait session moves between a studio, a reception and a smaller location. Compared with a zoom, it gives up framing flexibility in exchange for the F1.2 look and the clarity of one fixed visual decision. That makes it especially persuasive for portrait, wedding, fashion and editorial assignments where the photographer can choose the position instead of reacting to every distance change.
The Canon EOS R3 + RF 70-200mm F2.8 L IS USM is the more adaptable choice for events and sport when the action may move from near to far. The Canon EOS R3 + RF 135mm F1.8 L IS USM is better when distance and background compression are more important than room flexibility. Choose this 85mm kit when you want to stay close enough to direct the scene, far enough to keep it comfortable and committed enough to accept a fixed focal length. That clarity is part of its appeal: once the distance and look are right, the photographer can concentrate on timing instead of constantly renegotiating the kit.
Our verdict
At MCZ DIRECT, we position the Canon EOS R3 + RF 85mm F1.2 L USM as the dedicated people-and-low-light kit in this R3 family. Its appeal is the combination: the body brings a stacked 24.1MP sensor, subject-aware AF, Eye Control AF and responsive tracked shooting, while the lens gives a bright 85mm perspective for portraits, weddings, editorial and fashion. It is a coherent choice when the photographer wants a defined look and can move with the subject rather than reaching for a zoom ring.
The honest limit is the working burden: approximately 2.21kg ready, a fixed focal length, very shallow depth of field, no optical IS and no macro or extender option. Choose the R3 + RF 135mm F1.8 L when distance matters more, or the R3 + RF 70-200mm F2.8 L when changing framing matters more than F1.2. Choose this kit when you will use the 85mm view deliberately and want its low-light character to shape the photographs.
Choose this EOS R3 kit when a bright 85mm prime, fast subject response and a deliberate portrait look fit the way you photograph people, weddings and editorial stories.
Photo resolution
24 to 32 MP
Camera Format
Full frame
Lens mount
Canon RF
Recommended use
All-round use
Landscape
Photo / video
Portrait
Reportage
Sport
Wildlife
The Canon RF 50mm F1.2L USM is a professional prime lens for portrait, wedding and reportage photographers who want distinctive subject separation, and we recommend it when rendering and available-light performance matter more than low weight. Its f/1.2 aperture can produce very shallow depth of field while helping retain a practical shutter speed indoors...
The Canon RF 85mm F1.2L USM is a professional portrait lens for Canon EOS R cameras, recommended for photographers who value strong subject separation, fine detail and a very wide aperture in available light. Its 85mm view gives faces a flattering perspective, while f/1.2 can simplify a busy background and preserve useful shutter speed as light falls....
The Canon RF 24-70mm F2.8L IS USM is a professional standard zoom for EOS R photographers and filmmakers who need one dependable lens for varied assignments, and we recommend it for its balance of speed, range and handling. It moves from a wide 24mm view to a tighter 70mm portrait without changing its maximum F2.8 aperture. Canon rates the optical...
The Canon RF 70-200mm F2.8L IS USM is a bright, compact telephoto zoom for sports, wedding, portrait and reportage photographers, and we recommend it to anyone who wants an f/2.8 70-200mm that is easy to carry. Its constant aperture helps retain a fast shutter speed as light falls and separates the subject from the background. Dual Nano USM and...
The Canon RF 100-500mm F4.5-7.1L IS USM is an L-series telephoto zoom for wildlife, sports and aviation photographers who need to follow a subject from near to far without changing lens, and we recommend it when mobility matters as much as reach. Its 100-500mm range makes it easier to frame an approaching animal, a bird in flight or action across a field....
Canon EOS R3 + RF 85mm f/1.2 L USM videos
Technical specifications
General
Brand
Canon
Product type
Mirrorless camera
Camera type
Interchangeable-lens digital camera
Product line
Canon EOS R
Product series
EOS R
Specific model
EOS R3
Release date
2021-11
Available languages
Multilingual, including English
Camera
Level
Professional sport/reportage
Processor
DIGIC X
Image ratio
3:2
Image stabilization
Yes
Autofocus
Yes
Lens mount
Canon RF / RF-S
RAW
Yes
File formats
Still image: JPEG, HEIF, RAW, C-RAW. Compression options and profiles according to Canon specifications.
Max burst speed
30 fps
Lens included
Yes
Kit configuration
Canon EOS R3 kit with RF 85mm F1.2L USM.
Included lens count
1
Included lens 1
RF 85mm F1.2L USM
Lens 1 model
RF 85mm F1.2 L USM
Lens 1 mount
Canon RF
Lens 1 format
Full frame
Lens 1 focal length
85
Lens 1 max aperture
F1.2
Lens 1 stabilization
No
Uses
All-round use
Yes
Architecture
No
Landscape
Yes
Portrait
Yes
Travel
No
Reportage
Yes
Sports
Yes
Wildlife
Yes
Photo / video
Yes
Vlogging
No
Sensor
Sensor type
36 x 24 mm CMOS
Sensor size
36 x 24 mm
Crop factor
1.0x
Autofocus points
1053
Resolution
24.1 MP
Maximum resolution
6000 x 4000
Sensor cleaning
Yes
Standard ISO range
ISO 100-102400
Maximum native ISO
ISO 102400
Exposure
Metering modes
Real-time metering with image sensor, 384-zone metering: evaluative, partial, spot and centre-weighted average.
Metering zones
384
Fastest shutter speed
1/64000 s
Slowest shutter speed
30 s, Bulb
Bulb mode
Yes
AEB bracketing
Yes
Manual exposure
Yes
Self-timer
Yes
White balance settings
Auto white balance, daylight, shade, cloudy, tungsten, white fluorescent, flash, custom and colour temperature setting.
Aperture priority
Yes
Shutter priority
Yes
Display
Display type
Vari-angle touchscreen LCD monitor, 3.2-inch, approx. 4.15 million dots
Display size
3.2
Display resolution
4150000
Touchscreen
Yes
Live View
Yes
Viewfinder
Viewfinder
Yes
Viewfinder type
OLED electronic viewfinder, 5.76 million dots
Viewfinder coverage
100%
Flash
Built-in flash
No
Red-eye reduction
No
Flash sync speed
1/200 s / 1/250 s / 1/180 s
Flash modes
Canon-compatible external Speedlite flash; control via multi-function shoe depending on the model.
Flash technology
Canon Speedlite
Accessory shoe
Yes
Video
Video function
Yes
Full HD
Yes
4K UHD
Yes
6K video
Yes
7K video
No
8K video
No
Internal RAW recording
Yes
Clean HDMI output
Yes
Maximum video resolution
6K
Video frame rates
Video up to 6K depending on mode and card used.
Video compression
Compression and sampling depend on Canon EOS Movie modes.
Video file formats
Canon RAW (CRM) and MP4; codecs and colour profiles depend on the selected recording mode.
Audio
Built-in microphone
Built-in microphone
Storage
Internal memory
No
Dual card slot
Yes
Memory types
CFexpress and SD card slots according to Canon official configuration.
Card types
CFexpress and SD card slots according to Canon official configuration.
SD speed classes
Use a card that matches the selected photo/video mode.
Connectivity
HDMI
Yes
HDMI type
HDMI output according to Canon specifications.
Microphone input
Yes
Microphone input type
External microphone input depending on Canon configuration.
Headphone output
Yes
USB
Yes
USB type
USB-C according to Canon specifications.
Ethernet
Yes
Wireless
Wi-Fi
Yes
Bluetooth
Yes
NFC
No
GPS
No
Physical properties
Depth
8.72 cm
Width
15 cm
Height
14.26 cm
Body material
Magnesium-alloy body/chassis with glass-fibre reinforced polycarbonate components.
Colour
Black
Waterproof
No
Splash resistant
Yes
Shockproof
No
Dust resistant
Yes
AF assist light
No
Tally light
No
Minimum operating temperature
0 °C
Maximum operating temperature
40 °C
Battery
Battery
Canon LP-E19 rechargeable Li-ion battery
USB charging
Yes
USB power delivery
Yes
Charger included
Yes
Buying guidance
Best for
Portraits, weddings, fashion, editorial work, environmental portraits and low-light subjects photographed at a natural distance.
Less suited to
Less suitable for lightweight travel, very small rooms, macro work, rapid changes of framing or photographers who need zoom flexibility.
Compatibility
Compatible with Canon RF/RF-S lenses; this kit includes RF 85mm F1.2L USM. RF-S lenses remain usable with APS-C crop depending on the body. EF/EF-S lenses require a compatible Canon EF-EOS R adapter.
Note
The RF 85mm F1.2 L USM mounts directly on Canon EOS R-series cameras. It has no optical image stabiliser and is not compatible with Canon RF extenders.
Included lens
Lens type
Portrait prime lens
Lens series
Canon L
Focal range
85mm
Optical construction
13 elements in 9 groups
Optical stabilisation
No
AF drive
Ring-type USM autofocus
Minimum focusing distance
85 cm
Maximum magnification
0.12x
Maximum aperture
F1.2
Minimum aperture
F16
Diaphragm blades
9
Optical zoom
1x
Lens weight
1195 g
Filter diameter
82 mm
Lens length
11.73 cm
Lens diameter
103.2 mm
Dust/splash resistance
Yes
Canon EOS R3 with RF 85mm F1.2 L USM frequently asked questions
Who is the Canon EOS R3 with RF 85mm F1.2 L USM for?
It is aimed at portrait, wedding, editorial and fashion photographers who want a bright 85mm prime with fast subject response and a professional full-frame workflow.
Why choose an 85mm lens for portraits?
85mm gives a useful working distance for faces and half-length portraits while keeping the frame more focused than a wider lens. It remains practical in smaller rooms than a 135mm lens.
Does the RF 85mm F1.2L work well in low light?
Its bright F1.2 aperture is useful when available light is limited and can help maintain a shutter speed suited to the scene. Depth of field is very shallow, so focus placement matters.
Does the EOS R3 offer 30 fps shooting?
Yes. Electronic shooting reaches up to 30 frames per second with AF/AE tracking, while mechanical shooting reaches up to 12 frames per second.
What is the EOS R3's 195 fps mode?
It is a brief special high-speed mode that can reach 195 fps without AF/AE tracking. It is not the normal tracked action rate.
What can Dual Pixel CMOS AF II recognise?
The autofocus system supports subject recognition for people, animals and vehicles. The photographer should still select an appropriate AF setup and follow the scene.
What is Eye Control AF useful for?
Eye Control AF gives the photographer a direct way to indicate where attention should go in the frame. Its usefulness depends on calibration, the photographer and the complexity of the scene.
Does the RF 85mm F1.2L have optical image stabilisation?
No. The lens has no optical IS. The camera body provides in-body stabilisation rated at up to 8 stops depending on the lens, conditions and shooting situation.
How heavy is the Canon EOS R3 with this lens?
The body is approximately 1,015g ready to shoot and the lens weighs about 1,195g. The combined setup is approximately 2.21kg before accessories.
Can the RF 85mm F1.2L focus close to the subject?
It focuses as close as 0.85m and reaches 0.12x maximum magnification, which is useful for details. It is not a macro lens.
Can this kit record professional video?
Yes. Depending on the selected mode, the camera supports 6K RAW at up to 60p and 4K at up to 120p. The 85mm lens gives a selective view for close-ups and details.
Does the lens accept an extender?
No. The RF 85mm F1.2L is a fixed 85mm prime without an extender option, so a longer view requires a different lens or a different kit.
Reviews Canon EOS R3 + RF 85mm f/1.2 L USM
0 Rating
0.0
out of 5 stars
0 Rating
Customer photos
No customer photos yet
Reviews (0)
All reviews (0)
Has image/video (0)
Excellent (0)
Good (0)
Medium (0)
Poor (0)
Terrible (0)
Latest
Latest
Oldest
High rating
Low rating
Helpful
Tap to zoom
ALEX (In testing phase)
Hello! Welcome to our online store 👋 Would 👍 🐦🔥you like help with products, orders, or shipping?
By using this chatbot, you agree that your messages may be processed by AI to provide responses. We do not store or share your conversations. For more details, please refer to our Privacy Policy.
